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gregorian chant 以教皇格利高里命名的無伴奏齊唱圣歌。

gregorian style

Some examples are presented concerning the development of liturgical and non - liturgical music ( gregorian chant ) , the unifying musical tendencies in reformatory movements in the 15th and 16th centuries , in the case of social and ideological changes throughout of europe , in the 18th and 19th century etc 一些例子呈現在有關于儀式或非儀式音樂的發展,如葛利果圣歌,在十五、十六世紀的改革運動里有其合一化的音樂趨勢,在十八、十九世紀,整個歐洲又有其社會與意識型態的轉變等等。

In this special festival presentation , the requiem is placed in remarkable context in which gregorian chant , spoken word and the uplifting spiritual music of french composer olivier messiaen surround mozart ' s most sublime outpouring 我們這次香港藝術節的演出,送上特別的節目安排:在格列哥利圣詠、詩詞朗誦、以及法國作曲家梅湘人神合一的靈巧音符映襯下,讓莫扎特最超然的感情剖白完全流露于觀眾之前。

Gregorian chant also appears to have been an aural music , that is , transmitted by ear and committed to memory - like other music of the world at the time 格立高音樂也像同時期其他音樂一樣曾是聽覺音樂? ?通過耳朵聽而記憶。

What we call gregorian chant today first appears distinctly in the roman repertory of the fifth and sixth centuries 我們現在說的格立高圣歌最早清楚的出現在5和6世紀的羅馬劇目中。

Gregorian chant is a musical repertory made up of chants used in the liturgical services of the roman catholic church 格立高圣歌是由音樂劇組成的在羅馬天主教會禮拜用的圣歌。

This is why gregorian chant has often been called a “ sung bible “ 這就是為什么格立高圣歌常被叫做“圣經演唱” 。